seriously as the symbolic vesture of the spirit, and they 
regarded the Church as a second body, viewing its every detail 
with great completeness. Before James Joyce provided his 
detailed image of the metropolis as a second body, Baudelaire 
had provided a similar “dialogue” between the parts of the body 
extended to form the metropolis, in his Fleurs du Mal .

     Electric lighting has brought into the cultural complex of 
the extensions of man in housing and city, an organic flexibility 
unknown to any other age. If color photography has created 
“museums without walls,” how much more has electric lighting 
created space without walls, and day without night. Whether in 
the night city, the night highway, or the night ball game, 
sketching and writing with light have moved from the domain 
of the pictorial photograph to the live, dynamic spaces created 
by out-of-door lighting.